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At lunch Donna talked a little about her work. She said at one point she began to be known for her interior paintings and in order to not be pigeon holed she made a conscious effort to add figures and street scenes to her repertoire. That's an interesting move. Artists- especially instructors- seem to walk a delicate line between being able to pursue art where art takes them (through styles and subject matter) but also having a consistent style that people can come to know.
If you love Donna's work, check out Polly Hammet, Carla O'Connor and George James.
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